brainonthetable
intoxicating, stunning, convincing
brainonthetable
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gallowhill:

Jenny Holzer, Xenon for Bregenz, 2004
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myampgoesto11:

Drawings by Olivia Knapp

Olivia Knapp’s intricate hand drawn pen and ink style is influenced by European line engravings of decorative relief and scientific specimens from the 16th to 18th centuries. Her tight cross hatching technique involves long slow and steady curved lines that articulate the surface contours of her subjects; creating supple and tangible imagery. These un-swelled lines incorporate a “line to dot” rendering method as well as an, extremely rare “dot and lozenge” rendering method. “Dot and lozenge” is a practice that was used by 16th century masters, in which a dot is placed in the center of a diamond shape made by a cross hatching pattern, helping to refine the transition between values.
Most of Olivia’s content explores the relationship between desire, reason, and circumstance. Her current body of work uses the head and heart as contrasting characters in an on going story.

My Amp Goes To 11: Twitter | Instagram
myampgoesto11:

Drawings by Olivia Knapp

Olivia Knapp’s intricate hand drawn pen and ink style is influenced by European line engravings of decorative relief and scientific specimens from the 16th to 18th centuries. Her tight cross hatching technique involves long slow and steady curved lines that articulate the surface contours of her subjects; creating supple and tangible imagery. These un-swelled lines incorporate a “line to dot” rendering method as well as an, extremely rare “dot and lozenge” rendering method. “Dot and lozenge” is a practice that was used by 16th century masters, in which a dot is placed in the center of a diamond shape made by a cross hatching pattern, helping to refine the transition between values.
Most of Olivia’s content explores the relationship between desire, reason, and circumstance. Her current body of work uses the head and heart as contrasting characters in an on going story.

My Amp Goes To 11: Twitter | Instagram
myampgoesto11:

Drawings by Olivia Knapp

Olivia Knapp’s intricate hand drawn pen and ink style is influenced by European line engravings of decorative relief and scientific specimens from the 16th to 18th centuries. Her tight cross hatching technique involves long slow and steady curved lines that articulate the surface contours of her subjects; creating supple and tangible imagery. These un-swelled lines incorporate a “line to dot” rendering method as well as an, extremely rare “dot and lozenge” rendering method. “Dot and lozenge” is a practice that was used by 16th century masters, in which a dot is placed in the center of a diamond shape made by a cross hatching pattern, helping to refine the transition between values.
Most of Olivia’s content explores the relationship between desire, reason, and circumstance. Her current body of work uses the head and heart as contrasting characters in an on going story.

My Amp Goes To 11: Twitter | Instagram
myampgoesto11:

Drawings by Olivia Knapp

Olivia Knapp’s intricate hand drawn pen and ink style is influenced by European line engravings of decorative relief and scientific specimens from the 16th to 18th centuries. Her tight cross hatching technique involves long slow and steady curved lines that articulate the surface contours of her subjects; creating supple and tangible imagery. These un-swelled lines incorporate a “line to dot” rendering method as well as an, extremely rare “dot and lozenge” rendering method. “Dot and lozenge” is a practice that was used by 16th century masters, in which a dot is placed in the center of a diamond shape made by a cross hatching pattern, helping to refine the transition between values.
Most of Olivia’s content explores the relationship between desire, reason, and circumstance. Her current body of work uses the head and heart as contrasting characters in an on going story.

My Amp Goes To 11: Twitter | Instagram
myampgoesto11:

Drawings by Olivia Knapp

Olivia Knapp’s intricate hand drawn pen and ink style is influenced by European line engravings of decorative relief and scientific specimens from the 16th to 18th centuries. Her tight cross hatching technique involves long slow and steady curved lines that articulate the surface contours of her subjects; creating supple and tangible imagery. These un-swelled lines incorporate a “line to dot” rendering method as well as an, extremely rare “dot and lozenge” rendering method. “Dot and lozenge” is a practice that was used by 16th century masters, in which a dot is placed in the center of a diamond shape made by a cross hatching pattern, helping to refine the transition between values.
Most of Olivia’s content explores the relationship between desire, reason, and circumstance. Her current body of work uses the head and heart as contrasting characters in an on going story.

My Amp Goes To 11: Twitter | Instagram
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serialthrill:

BLACKSTUFF by Jairo juarez
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artissimo:

60 by denys tsiperkoSparrow Volume 4: Shane Glines
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larvalhex:

aeon-fux:

acid-chaos:



ı TRIPPY ® PSYCHEDELIC ı




they made it so you can’t change the source anymore but like why repost shit when the artist has a tumblr? lmao this is an Uno Moralez piece don’t follow bullshit LSD++GRUNGE blogs if you actually want to know where a source is from 

***PROTECT
unomoralez
AT ALL COSTS***
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betype:

Zwei-Zenith by Jacopo Severitano
betype:

Zwei-Zenith by Jacopo Severitano
betype:

Zwei-Zenith by Jacopo Severitano
betype:

Zwei-Zenith by Jacopo Severitano
betype:

Zwei-Zenith by Jacopo Severitano
betype:

Zwei-Zenith by Jacopo Severitano
betype:

Zwei-Zenith by Jacopo Severitano
betype:

Zwei-Zenith by Jacopo Severitano
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oxane:

third.eye.visions.
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be-cunt:

https://www.facebook.com/pages/Becunt/438222289561427?ref=hl
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